By Jacques Derrida,Peggy Kamuf,Kaira M. Cabañas
For Derrida, what used to be at stake was once what it intended for the museum to express Artaud's drawings and for him to lecture on Artaud in that institutional context. pondering over the performative strength of Artaud's paintings and the relation among writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and fight opposed to illustration to try to carry the museum chargeable for attempting to confine Artaud inside of its different types. Artaud the Moma, as lecture and textual content, finds the problem that Artaud posed to Derrida—and to artwork and its institutional heritage. a strong interjection into the museum halls, this paintings is an important second in Derrida's suggestion and an insightful, unsparing interpreting of a tough author and artist.
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Additional resources for Artaud the Moma (Columbia Themes in Philosophy, Social Criticism, and the Arts)
Artaud the Moma (Columbia Themes in Philosophy, Social Criticism, and the Arts) by Jacques Derrida,Peggy Kamuf,Kaira M. Cabañas