By William Allen
In a chain of wealthy and compelling readings, William S. Allen exhibits how an unique and rigorous mode of considering arises inside of Blanchot’s early writings and the way Adorno’s aesthetics relies on a relation among language and materiality that has been commonly missed. moreover, by way of reconsidering the matter of the self reliant murals by way of literature, a imperative factor in modernist aesthetics is given a better serious and fabric relevance as a method of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers basically make certain the demanding situations and the chances that literary autonomy poses to thought.
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Extra info for Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)
Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen