New PDF release: Aesthetics of Negativity: Blanchot, Adorno, and Autonomy

By William Allen

ISBN-10: 0823269280

ISBN-13: 9780823269280

Maurice Blanchot and Theodor W. Adorno are one of the such a lot tricky but in addition the main profound thinkers in twentieth-century aesthetics. whereas their equipment and views range greatly, they proportion a priority with the negativity of the paintings conceived by way of both its adventure and risk or its serious expression. Such negativity is neither nihilistic nor pessimistic yet issues the prestige of the art and its autonomy relating to its context or its adventure. For either Blanchot and Adorno negativity is the most important to figuring out the prestige of the art in post-Kantian aesthetics and, even though it shows how paintings expresses severe probabilities, albeit negatively, it additionally indicates that paintings bears an irreducible ambiguity such that its that means can continually negate itself. This ambiguity takes on an further fabric value whilst thought of relating to language because the negativity of the paintings turns into aesthetic within the additional feel of being either good and experimental, and in doing so the language of the literary paintings turns into a kind of pondering that allows materiality to be concept in its ambiguity.

In a chain of wealthy and compelling readings, William S. Allen exhibits how an unique and rigorous mode of considering arises inside of Blanchot’s early writings and the way Adorno’s aesthetics relies on a relation among language and materiality that has been commonly missed. moreover, by way of reconsidering the matter of the self reliant murals by way of literature, a imperative factor in modernist aesthetics is given a better serious and fabric relevance as a method of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers basically make certain the demanding situations and the chances that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen


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